I recently went to see the new special exhibition at the Wellcome Collection: “Somewhere in Between,” which runs until 27th August (my birthday!). I normally wouldn’t exactly rush out to something arty like this, but I wanted to make sure I also got to see “Ayurvedic Man: Encounters with Indian Medicine” in the first floor gallery, which ended on the 8th of April (also I had a hankering for roti canai, which was the main reason I needed an excuse to go to Euston (there’s a Malaysian restaurant near the station)).
Like all Wellcome exhibitions, “Somewhere in Between” is free, and was happily much less crowded than their exhibitions normally are, perhaps due in part to the open layout. The exhibition consists of four immersive installations that are the result of collaborations between artists and scientists, and are meant to be an exploration of art and science, or, I suppose, somewhere in between, hence the title.
The first “immersion” we ventured into was “Sire” by Maria McKinney. I don’t think I fully understood the exhibition when I was in there (I was more just like, “Ooh look, pictures of cows wearing silly sculptures. Oh, but wait, they’re being pulled by rings through their noses and they look like they might be in pain. Not great”) but after reading the exhibition catalogue, it makes more sense. Apparently the photographs are of stud bulls, wearing sculptures woven from semen straws (brightly coloured straws that are used to artificially fertilize cows with bull semen), and the sculptures themselves were inspired by genomes. So it’s a commentary on how genetic breeding has affected the modern cattle industry, but I don’t feel it was really a critique, more just that it was asking us to recognise that a lot of selective breeding has gone into creating the modern cow. As a vegetarian, I probably would have preferred more of a critique (though I don’t eat meat more because of pickiness than ethics, so I’m not really very militant about it), but it was fine, albeit not really what I would call immersive.
I can’t properly comment on Daria Martin’s pieces, because I didn’t get what the hell was going on. I went into two connected rooms, both of them showing videos of a woman touching a knife, but it was kind of weird (not in a good way), so I left pretty promptly. It was meant to be about synesthesia, but it wasn’t communicated very well. Martina Amati’s “Under”, whilst also a video, was a lot better; it was three video screens placed around a room showing her and others freediving, and because of the lighting and sound effects, did actually feel a bit like I was underwater, so was properly immersive.
But the best installation of all was John Walter’s “Alien Sex Club”, which was a maze themed around a gay sex club with a sinister side, as the threat of HIV was lurking around every corner. I loved the wallpaper in here, and Walter’s paintings (especially the tarot-esque cards on the back wall), and the cartoons, and even the creepy booths in the back with glory holes (I was the main creeper in them though – I think I’m far too good at creeping for my own good). It felt like he’d certainly put the most effort into his installation out of the artists here, and I liked that we could actually explore the maze and interact with it in a limited way. On the whole, the exhibition wasn’t as appealing to me as something history-based (rather than art-based) would have been, and I’m not sure I really got the message that most of the artists were trying to convey (the science theme seemed rather stretched), but it was free, so it was fine. 2.5/5.
We then headed upstairs to see “Ayurvedic Man,” based around an 18th century Nepali painting from the Wellcome’s collection, as well as many other paintings, texts, and artefacts relating to Indian medicine, specifically ayurveda, which is a branch of Indian medicine that translates as “the knowledge of long life.” This exhibition actually seemed larger than the one downstairs in the main gallery, and certainly contained much more detailed text panels than “Somewhere in Between.” I really liked the copies of all the letters exchanged between Henry Wellcome’s agent in India and Wellcome himself about the agent’s acquisitions, because they let us see colonialism in action in a way that the Wellcome normally shies away from, and were also a fascinating view into how the Wellcome Collection was initially curated (Wellcome advised against buying too much erotic art, as it was far too “common,” presumably in both senses of the word).
I thought the information about how British authorities attempted to deal with the plague epidemic of 1896 was extremely interesting (their public heath measures often failed due to their lack of cultural sensitivity, big surprise), and I liked the interactive cartoons about the plague measures from the Hindi Punch (though I didn’t get to explore the touch screen ones further, because a couple of guys were hogging it, and when I tentatively touched what I thought was part of a different screen (they were projected on the wall, so it was hard to tell), it turned out to be part of the one the guy was using, and he gave me such a dirty look that I just got the hell out of there).
Actually, everything in here was pretty interesting, not least the iPads at the end where you could explore healing recipes using one of eight healing spices in Ayurvedic medicine, and submit one of your own (I totally did, as you’ll see below, though I don’t think it was healing in quite the way they intended. It also isn’t my recipe (it’s from the excellent Taco Cleanse, but I know it by heart because I make it all the time), but I have altered it a bit to my preferences, and it is a very tasty sauce (warning, may cause stomach cramps!). And possibly TMI, but I should point out that I don’t, in fact, need a cure for constipation – I only phrased it like that because when I was writing the recipe, it had the prompt “I would use this recipe if” which I was annoyed to see didn’t turn up on the published recipe, as it completely changes the meaning!). I think this was a far more successful exhibition than “Somewhere in Between,” because it does play much more to the Wellcome’s strengths, which are of course history of medicine, and its fascinating collection of curiosities. Sorry that I’ve blogged about it too late for anyone to see it, but the upcoming exhibition on teeth in that gallery looks promising as well, if the adorable squirrel image they’re using to advertise it is anything to go by. 4/5.