I’m trying my best to keep to a Halloweeny theme in October (I don’t even think Halloweeny is a word, but it doesn’t stop me from using it constantly), and even though this exhibition wasn’t directly related to Halloween, what could be more atmospheric on Halloween night than a big old full moon (or even a spooky crescent moon)? I’ve always loved the moon, as I think I’ve said on several occasions – my old bedroom was star and moon themed, and I currently have four moon tattoos (with probably more to come) – there’s just something about the whole nighttime/dark side of human nature aspect of it that I can relate to. The Moon exhibition is commemorating the 50th anniversary of the moon landing, and runs until 5th January 2020. This is the first special exhibition the National Maritime Museum has had in quite a while (or at least, the first one in a while that has been worth seeing), and you know I’m always up for an excuse to get Brazilian churros from Greenwich Market, so off to Greenwich I went!
This exhibition was a little bit cheaper than their exhibitions normally are, at £10 (half off for National Art Pass), but it was also a bit smaller than normal. The woman at the ticket desk was really lovely and friendly (it’s always flattering when they ask if you’re under 25, especially now that I’ve hit 34…), which was nice, since I’ve encountered a few grumps there in the past. Amazingly, you were actually allowed to take photos, which is almost never the case at the National Maritime Museum – had I known, I would have brought Marcus, but as it is, you’re left with my crappy phone pics. Hopefully you can still get some sense of how pleasingly dark and lunar it was inside.
The gallery was divided into four different sections, each with a different theme, and opened with an exploration of how different cultures have viewed the moon throughout history, and the role that it plays in society and religion. This included the really cool moon mask shown above, some gorgeous silver moon jewellery, and a few bits and bobs from the Romans, Egyptians, and Mesopotamians, including a little tablet inscribed with lunar eclipse rituals.
Not being a big ancient history fan, the more interesting section to me was about the moon and the role it played in four humours theory medicine right up until the 19th century. I loved the crescent moon apothecary sign! And of course the term “lunatic” derives from the moon and the role it was thought to play in human behaviour (it was thought to influence moisture in the brain, which in turn could lead to fits of “lunacy”). The exhibition highlighted the sad case of James Norris (who I think I mentioned in the Bedlam exhibition write-up), who was kept chained up for fourteen years in Bedlam before campaigners demanded his release (he died soon afterwards). Pierrot is kind of a creep (since he’s a clown), but I would definitely hang out with his charming moon friend.
The second section was more scientific in nature, and I guess was trying to tie in the moon to the National Maritime Museum’s collections, because they really pushed the moon as navigational aid and bringer of tides angle (I mean, it is a navigational aid and bringer of tides, so it’s not really an angle as such, but they were clearly trying to get the whole maritime theme in there in a way that felt a bit forced). And I know I’m always showing you that portrait of young, dishy Joseph Banks, so you might as well look at one of the fatter, less dishy older man he became.
This part of the exhibition was full of a lot of drawings of the moon, a moon globe (much cooler and rarer than an Earth globe), and some Victorian photographs taken by a guy of a plaster model of the moon he had made that actually won some prizes for photography (they knew he used plaster models, they just didn’t care because they were good photographs. Have totally forgotten guy’s name though). I really hate Pink Floyd (and now I know that song is going to get stuck in my head), but I liked the first photograph of the dark side of the moon, taken by Soviet craft Luna 3 in 1959.
The third section was about the space race, and I suppose this had all the exciting items that most people would have come to see (certainly judging by the people gathered around the cases – most of the exhibition was pleasantly empty, but there was a small crowd in here who fortunately dispersed by the time I made it to that side of the display), including Neil Armstrong’s “Snoopy helmet” (so named for the flaps that bore a resemblance to the cartoon dog’s ears), a watch worn on the moon, the camera equipment that was taken on the Apollo 11 mission, and a whole bunch of chunks of moon rock (the US brought back something like 340 kg of it and Nixon presented a little chunk to every country in the world. You can see the UK’s fragment further down in this post).
Me being me, I was much more interested in the weird stuff, like the display about HG Wells’ The First Men in the Moon, which was quite scientifically accurate about some things, but not about the aliens (there was a little model alien here based on Wells’ description), Georges Melies’ A Trip to the Moon, which was playing on a video screen (it totally creeps me out, but I like it), and of course, the excellent Soviet and American propaganda posters (I have to say that I vastly prefer the Soviet style. What’s with all those lame eagles everywhere on the American one? It looks like a joke poster).
The final (small) section was about the future of the moon. Are we going on more moon missions? Will people ever colonise the moon (or will America just exploit its natural resources?)? These and other questions were discussed here, and there was a touchscreen where you could answer some questions yourself and see what other visitors had said, one of the only interactive elements in the exhibition (I don’t consider touchscreens that simply play a video on command to be interactive. They’re just kind of boring).
Although there weren’t as many interactive elements as I’d have liked, I found the staging of this exhibition to be quite cool, with a lot of interesting visual effects that really added to the atmosphere (or lack thereof, since we’re talking about the moon). The was a large lunar calendar on one wall, a big rotating moon on another, and of course the giant lit-up crescent moon shown at the start of the post. It felt like a space I could have hung out in all day (if there had been more content to read), and I would definitely have the big old crescent moon in my house (which is exactly what a guy did for an art project, as you’ll see at the end of the post).
Though I don’t really believe in it (I’m more of a non-practising, non-theistic Pagan, except when I’m in the mood to whip up a spell), I would have liked to have seen more about the witchy aspects of the moon, as the exhibition focused more on ancient and mainstream religions. Even more mythology would have been interesting – there was a chart listing all the different faces that people see in the moon, depending on hemisphere, which was really neat, and I wanted more of that – but I did only pay a fiver, and for that price, I’m pretty happy with the size of the exhibition, just wish it had been a bit more interactive. I still enjoyed the environment of the exhibit (definitely helped that there were very few other visitors) and all the great moon themed art and artefacts (though I could have done with more of that in the shop, instead of boring old t-shirts and magnets). And of course I loved my pre-exhibition churro in Greenwich Market. 3/5 for The Moon exhibition.