So you might have been thinking that the Sedgwick Museum was my last Cambridge post, since I mentioned we dropped in on the way back to the station, but nope! I meant to write this post weeks ago, right after I went to Cambridge, which is when I wrote the other posts, but I ran out of time, and then I started my job and it totally slipped my mind. But (obviously) I remembered eventually (seeing the pictures in my media library when I went to upload new stuff helped), so here it is. And I promise, then I’m done with Cambridge (at least for the foreseeable future)!
The Museum of Archaeology and Anthropology is right around the corner from the Whipple Museum, and next door to the Sedgwick, so it’s part of the whole museum district of Cambridge (the Polar Museum and the Fitzwilliam stand alone). It is also free, like every other Cambridge University museum I’ve been talking about. When we walked in, we had the misfortune of being right behind a group of students who were being given a tour around the museum (and I felt really bad for their guide. When she asked if anyone was interested in archaeology or anthropology, no one raised their hands. Don’t young people watch Indiana Jones anymore? I mean, I know those films don’t reflect reality, but I don’t know how anyone could watch Raiders and not think archaeology is cool), so we decided to go in the opposite direction, and start with the temporary exhibition “Another India,” about artefacts from minority populations in India.
This is definitely just my own ignorance showing, but I never realised that India still had native, tribal populations, so I was really intrigued and eager to learn more about them. The exhibition talked about the impact colonialism had on them, as well as displaying a really striking range of artefacts. I particularly loved the painted tiles, and the head-taker’s ornament (that skull thing), both of which are shown above, but I seem to remember it being kind of dark in there, so you couldn’t read the labels unless you were right on top of them.
We then proceeded up to the first floor, which reminded me of nothing so much as a condensed version of the Horniman (the anthropological bits of the Horniman, anyway). It contained artefacts from cultures all around the world, arranged roughly geographically. There was simply too much to see in the limited time available to us, so I focused on things that I thought were neat (which I guess is what I always do, but even more so when there’s a time crunch). I love Day of the Dead figures, and some of the ones they had here were pretty great (I bought a whole diorama of Day of the Dead mariachi figurines when I was in Tijuana years ago, but the glass on the case broke on the flight home, which I think my mother used as an excuse to throw them out a few years later, after I moved to Britain. They were awesome though. I’d like to get more!).
Unfortunately, the students followed us up here pretty shortly after, and though the guide did a great job of trying to keep them corralled in the middle of the room (I should add that these were presumably Cambridge students, or at least of a high school-university age (I am real bad at gauging the ages of people younger than me), so yeah, it’s not like they were little kids or anything), but they were still wandering around a bit being distracting, and it was time to move on. It was clear before leaving though, that this was the oldest gallery of the museum (in terms of the set-up of the displays), and probably the only section (save for the temporary exhibit) with adequate labelling, so I feel like I could have learned a lot if I had more time. Also please note the awesome totem pole that dominates the building (it can be seen in the opening picture); the guide was asking the students to guess the animals on it as we were leaving, and they got them all hilariously wrong (c’mon, at least pick animals that actually live in the Pacific Northwest!).
The second, and final floor, was probably the most intriguing floor in concept, if not in execution. The premise here was that anthropology and archaeology are subjects that are in constant flux, and that anthropology in particular has come a long way from its original, often racist roots, and as such, the museum was a work in progress, and the visitor should play a role in deciding what its future should be. So they asked you to look around, and then fill out a survey about your experience (though there was only one other survey in the box when I put mine in, and this at the end of the day, so I don’t know how successful this has been. Maybe if they made an actual volunteer hand them out, instead of leaving people to their own devices, so they’d feel guilted into doing it).
Anyway, this floor was thus mainly just an assortment of objects, grouped by type, and beautifully arranged in cases together, but lacking pretty much any labels at all, with a few exceptions for things like African masks, and the Mayan (?) head shown above right. (I think of him as Olmec, but only because that was the name of the talking head at the entrance to the Hidden Temple. I don’t know whether it was actually Olmec in origin, because I don’t have a picture of its caption (also, if I could go on any stupid game show ever, my first choice would definitely be Legends of the Hidden Temple, followed by Dale’s Supermarket Sweep, which is much better than the American version. I watched Legends every day when I was a kid)). So obviously it would have been much improved by better signage (which I guess is the whole thing they were trying to get away from, because someone talking about other cultures will always lack innate understanding of those cultures, and thus misinterpret things, but you still need to give people some context), which is more or less what I said in my survey (I also went on about Indiana Jones for a bit, because they are like my favourite movies (except that one we don’t talk about)).
We finished up by seeing the things on the ground floor that we missed on our way in, because students. These included a neat skeleton in a stone coffin, along with the bones of a mouse and shrew who had gnawed the body, and a bust of Jupiter (not Jesus, though they look similar, which probably makes sense, given how much of Christianity is pieced together from other religions), as well as other less interesting Roman bits and pieces that had been recovered from around Cambridge. Though this museum was basically fine, I did find it somewhat disappointing compared to what I was expecting (the Horniman sets a high bar, as does the Field Museum is Chicago, which I haven’t actually been to since I was a teenager, but remember fondly). I give them points for attempting to be culturally sensitive, but I don’t think that should come at the price of providing adequate signage in some of the galleries. 3/5.