puppets

Lyon: Musees Gadagne

Yes, the Musees Gadagne include a puppetry museum, which I’ll get to later! But the musees consist of two museums on the same site (hence the plural) and I’ll talk about the Lyon History Museum first (saving the best for last).

  

Lyon, despite being several hours north of Marseille, somehow managed to be every bit as hot, and after walking around the Roman amphitheatre and church on top of a massive hill, which seem to be a feature of every French city (I’ll talk about them in a later post), I was dying for a nice, cool, indoor museum as a respite, and the Musees Gadagne neatly fit the bill. Obviously, it was the puppet museum that got me through the door, but I was perfectly happy to learn more about the history of Lyon as well – anything to kill time indoors.  Admission was €5, which included both museums and a free audio guide; probably the best deal of the trip!

  

I accepted the audio guide because I wasn’t sure if there would be any English translations inside the museum, but it turns out that I needn’t have worried, because the main panels in each room were translated into English, and were supplemented by excellent, extremely detailed fact sheets that gave an overview of the history surrounding the objects in each room. They were so good I barely used the audio guide.  Whoever wrote them clearly had a sense of humour, and also really loved exclamation points, as the sheets were scattered with them, even sentences that really didn’t require them (it reminded me of that Seinfeld where Elaine gets pissed off because Jake Jarmel doesn’t put an exclamation point in a note about her friend having a baby, so she inserts hundreds of them all over his book manuscript, which she was editing). Some of my favourite facts include that foreigners were allowed to travel freely in Lyon during their annual fairs, except the English, on account of their being enemies; that women evidently didn’t inspire the engravers in Lyon, because the queens in their packs of cards were flat and unattractive, whilst the jacks and kings had “fine appearance,” as the sheet put it; and that looms made different sounds based on the kind of cloth they were weaving: plain cloth went “pa-tin-taque!” and faconne (patterned) cloth went “bis-tan-claque!”

  

I liked that there were comfy armchairs in pretty much every room of the museum, because it meant I could take the fact sheet and plop myself into the chair for a nice leisurely read, as my feet were killing me by this point in the trip (which happens every time I’m on holiday, as I’ve said, because of my refusal to wear comfortable shoes. Not that flat sandals are uncomfortable to wear, but they don’t offer much in the way of arch support). I also liked the many derpy lions in this museum, particularly the lion chocolate which I would have eaten right then and there, had it not been in a glass case and over 100 years old.

  

I know a bit more about French history than the history of most other European countries, but still nowhere near as much as I know about British and American history, and my knowledge also tends to be Paris-centric, so there was a lot to learn here, though I confess I skipped some of the fact sheets towards the end (there were two or three two-sided A3 sheets per room, which is a LOT to read, even if you like reading as much as I do). I was interested to learn that Lyon didn’t entirely support the French Revolution (as the museum puts it, their opinions were opposite to what was happening in Paris: they were radical when Paris was moderate and vice versa), which ended up resulting in a siege where Lyon lost its official city of the Republic status (or whatever it was called in French – I forget the exact term). Despite this, they still had a good collection of Revolutionary artefacts, including the blade from a guillotine (but the thing that looks vaguely like some kind of horrible execution device in the photo below is just a loom)!

  

The museum boasted of having 31 permanent exhibition rooms, and they weren’t Lyon (lyin’, get it?) – fortunately, each one was clearly numbered so we knew where we were supposed to be going, as there were quite a lot of stairs involved (though lifts and ramps were also available for those who needed them). The most uncomfortable frustrating part was that I desperately needed the loo going in, but didn’t see one anywhere, so I kept wandering hoping one would appear. Eventually we came to a main staircase that had signs pointing to one that was up several flights of stairs, near the rooftop cafe.  After running upstairs and finding a lengthy wait there, I decided to run down to the ground floor which was also meant to have toilets. When I got down there though, I couldn’t find them anywhere, so ended up having to run all the way back up again, which was quite a trek. It was only when we were leaving that I discovered there was one on the ground floor after all, in the same room as the lockers, so bear that in mind if you visit!

  

There were undoubtedly a lot of things to like about the Lyon History Museum, but given how tired I was, 31 rooms was just a bit too many, especially because ultimately, my level of interest in Lyon’s history was limited. I think it would have benefited from more interactivity, which brings me to the puppetry museum, or Musee des Marionnettes, which I couldn’t wait to get to!

  

The puppetry museum has been recently redone, and is in the process of having more added to it, but even though it was much smaller than the Lyon History Museum, I still thought it was pretty great. We entered into a dark room with walls completely lined with the creepiest puppets, and you could stand in the middle and use a touchscreen to light up various puppets to learn their names and where and when they were made (though in some cases, like poor disturbing Krafff shown above, WHY they were made was the question I most wanted answered). There were a LOT of devil puppets in here (including the rather sweet fellow below), which was fantastic.

  

The next room we went in had three different screens with various puppets (or objects) sitting in front of them – when you turned a knob, a video came on explaining various aspects of puppetry; at least, that’s what I assume was going on, as the videos were all in French. I still got the gist of it from their movements, and had a lot of fun with the rather scary man-boy puppet you can see me manipulating (blurrily) above.

  

There was also a puppets of the world gallery, where inputting the numbers on the cases into your audio guide played recordings of the puppets telling you about themselves in the accent of their native country, and I suppose that alone made it worth having the audio guide hanging off my neck the entire time. You can see for yourself that some of these puppets were downright terrifying (Punch and Judy are bad enough, but the guy with the face in his chest takes it to a whole new level. I’m not sure what his deal was since he either didn’t have an audio track or I forgot to look).

  

There were also English fact sheets to read in these rooms, though these mostly contained interactive tasks for you to complete in order to learn more about the art of puppetry, rather than descriptions of the collections. You can see me treating my hand like a puppet, in preparation for getting to play with actual puppets in the last room (which is where I met my new friend as seen at the start of the post, who reminded me a bit of a less scary version of Lady Elaine Fairchilde from Mister Rogers’ Neighborhood).

  

Sure, some (most) of the puppets were scary looking, but I was absolutely in my element. This is exactly the kind of quirky museum I love, which had been somewhat lacking thus far in our trip (there was an automata museum in Lyon, which I was dying to go to, but the website made it look very much as though it was intended for children, so I was discouraged from going. I still regret it though), and I adored all the interactivity. 4/5 for the puppet section of Musees Gadagne, and 3/5 for the Lyon history part. This is a great place to visit to escape the summer sun (or winter cold perhaps?) and enjoy learning more about puppetry and the city of Lyon (and try out some hella creepy puppets).

Glover, Vermont: Bread and Puppet Theater Museum

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In keeping with the Halloween theme, I’d like to share a really amazing/creepy place with you that I discovered in the wilds of Vermont.  Actually, it’s not the only cool museum in the tiny town of Glover, but the other will have to wait for a future post….

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The Bread and Puppet Theater seems to be a sort of art collective that puts on occasional performances in an old barn/paper mache theater.  Next to this is yet another barn where all the puppets from past shows are stored, and it is simply incredible.  Admission is free, and although someone clearly lives in the house attached to it, you’re left completely to your own devices to turn the lights on and off, and purchase things from the shop (donation bins all on the honour system, so don’t be a jerk!). It’s open from 10-6, June-November, and off-season by appointment.

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Wandering through an unheated, dimly lit barn full of giant (and I mean giant!) puppets is definitely quite a unique/scary experience, perhaps not for the fainthearted, but I thought it was fantastic!  I don’t think words can properly do it justice, so for the most part, I’m going to share photos with you, with minimal commentary.

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The museum is over two floors, and you don’t want to miss the top one, as I almost did, because that is where all the properly huge puppets are kept, including Thomas Jefferson, James Madison, and Ben Franklin, perfect for history nerds like me!

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There are also a few pieces of art, including one on the story of a Jewish girl living in Germany (it was during the ’40s, so you can probably guess it doesn’t end well, though it is very moving), and the recollections of the woman who lived on the farm until 1970, which are also available in book form.

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It really is a very special place, so please do stop by if you’re in the area.  The vibe borders on the anarcho/hippie, as you might expect, but given the nature of the museum, I don’t think that’s a bad thing.  Having the freedom to explore on your own under the prying eyes of puppets, accompanied by mysterious creaking sounds, simply enhances the experience.  4/5.

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